We love our costume jewelry, and when we look for a piece that has the designer's name, or 'signature' on the back, inadequate results . we have a piece that can be dated and its value better understood.
But what of the literally millions of pieces of beautiful costume jewelry have got no signature? And why, when has been such obvious artistry and craftsmanship affiliated producing the piece, was it left unsigned?
Marcia 'Sparkles' Brown has given us some answers, and hundreds of gorgeous photographs in her book, 'Unsigned Beauties of Costume Jewelry, Identification and Values'.
One reason is that fine jewelry of gold and gemstones was worn by ladies of wealth and position, while the cheaper, 'fake' jewelry was worn from your poor or women of 'ill repute'. Makers of a good jewelry were proud to place their signatures on their creations, while artisans who made fake jewelry were just attempting to make an income it would be a lower class profession absolutely no pride of putting one's name on one's products.
Costume jewelry was built in vast quantities in mass production, now to keep together with demand really did n't invariably take time to stamp their name or symbol on everybody piece.
Sometimes manufacturers made unsigned jewelry that was sold to department stores, which then put the jewellery in boxes with the store's concept.
The book is broken into sections, automobile photographs illustrating every url. It not only shows a many unsigned jewelry pieces, in addition gives you history, concepts and the fundamentals of starting a local library.
A fascinating chapter on rhinestone
history takes you the kings of France through Daniel Swarovski's moves to the present time. Several pages of photographs of rhinestone butterfly pins finish the section.
Why should we call it costume jewelry? Page 15 tells associated with.
We be familiar with different metals used in costume jewelry, such as white metal, gold plating, sterling silver, vermeil, rhodium, silver plating, enamel, japanning and gun metal. More photos illustrate this piece.
Stone shapes and settings are examined and illustrated with drawings and scenarios.
Now what about starting a series? The chapter on collectibilty will a person what in order to for, the best way to choose, how to examine condition, and how to evaluate work.
There's a comprehensive section on dating your jewelry, such as a time chart, fashion style dating and art trends, followed by expert recommendations on care, restoration and recall.
For the subsequent 227 pages you'll be treated to photographs and detailed descriptions of unsigned brooches, necklaces, earrings, parures (sets), dress clips and accessories.
Finishing on the book are an extensive glossary including a bibliography may tempt you with many titles of books about antique and vintage costume jewelry.
This book is a must-have for the collector or anyone who buys and sells costume jewelry. It's a visual treat and an effectively researched book that you'll refer to over and over.
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